Word Choice Stationary vs. Stationery - Proofeds Writing Tips

Word Choice Stationary vs. Stationery - Proofeds Writing Tips Word Choice: Stationary vs. Stationery What do you call a pencil that can’t move? Stationary stationery! If you didn’t find that hilarious, we assume it must be because you’re not sure about the difference between â€Å"stationary† and â€Å"stationery† (we refuse to accept that our puns are inherently unfunny). Why arent you laughing? Is this thing on?(Photo: flickr/Benjamin Ragheb) More seriously, the terms â€Å"stationary† and â€Å"stationery† are commonly confused due to looking so similar on paper. However, since they also refer to completely different things, you need to use them correctly if you’re writing for college or work. Stationary (Not Moving) â€Å"Stationary† is an adjective meaning â€Å"immobile† or â€Å"not moving.† If you’ve ever been to a spinning class at a gym, for example, you’ll have ridden a â€Å"stationary bicycle.† Spinner 1: Are we nearly there yet?Spinner 2: Just shut up and pedal. It can also be used to describe something that can move, but isn’t currently: The driver collided with a stationary vehicle, but nobody was hurt. Another use of â€Å"stationary† is to describe an unchanging condition or quantity, such as in: A stationary population can enhance social stability. In either case, â€Å"stationary† refers to something that doesn’t move. Stationery (Office Materials) The noun â€Å"stationery† refers to office supplies, particularly paper and other writing equipment: We’re running low on stationery, so I’ve ordered paper and toner. It can also be used as an adjective when describing something related to stationery, such as a â€Å"stationery set† (a set of writing equipment) or a â€Å"stationery store† (a shop that sells stationery). Technically, the coffee doesnt count as stationery, even if most office workers would stop functioning without it. Stationary or Stationery? Since one of these terms is spelled with â€Å"-ar-† and the other with â€Å"-er-,† the key thing is remembering which is which. Luckily, this is made easier by the fact that â€Å"paper† is spelled with an â€Å"-er† at the end, as well as being an important office supply: Paper is a type of stationery. As such, if you’re describing something that, like paper, can be found in an office, the correct term will typically be â€Å"stationery.† Otherwise, the right word will be â€Å"stationary.† Remember: Stationary = Not moving Stationery = Office supplies

Biography of the Wealthy Painter Peter Paul Rubens

Biography of the Wealthy Painter Peter Paul Rubens Peter Paul Rubens was a Flemish Baroque painter, best known for his extravagant European style of painting. He managed to synthesize a number of factors, from the masters of the Renaissance and the early Baroque. He led a charmed life. He was attractive, well-educated, a born courtier and, by dint of talent, had a virtual lock on the portrait market in northern Europe. He was knighted, feted, grew fabulously wealthy from commissions and died before he outlived his talent. Early Life Rubens was born on June 28, 1577, in Siegen, a German province of Westphalia, where his Protestant-leaning lawyer father had relocated the family during the Counter-Reformation. Noting the boys lively intelligence, his father personally saw that young Peter received a classical education. Rubens mother, who may not have shared an affinity for the Reformation, moved her family back to Antwerp (where she owned a modest property) in 1567 after her husbands untimely death. At the age of 13, at a time when the familys remaining resources went to provide his elder sister with a marriage dowry, Rubens was sent to be a page in the home of the Countess of Lalaing. The polished manners he picked up there served him well in the years ahead, but after some (unhappy) months he got his mother to apprentice him to a painter. By 1598, he had joined the painters guild. His Art From 1600 to 1608, Rubens lived in Italy, at the service of the Duke of Mantua. During this time he carefully studied the works of the Renaissance masters. Upon his return to Antwerp, he became the court painter to the Spanish governors of Flanders and subsequently to Charles I of England (who, in fact, knighted Rubens for diplomatic work) and Marie de Medici, Queen of France. The more well-known works he turned out during the next 30 years included The Elevation of the Cross (1610), The Lion Hunt (1617-18), and Rape of the Daughters of Leucippus (1617). His court portraits were in great demand, as he frequently placed their subjects in juxtaposition with gods and goddesses of mythology to better acknowledge the lofty positions of nobility and royalty. He painted religious and hunting themes, as well as landscapes, but is best known for his oft-unclothed figures who seemed to swirl in movement. He loved portraying girls with meat on their bones, and middle-aged women everywhere thank him to this day. Rubens famously said,  My talent is such that no undertaking, however vast in size...has ever surpassed my courage. Rubens, who had more requests for work than time, grew wealthy, amassed a collection of art and owned a mansion in Antwerp and a country estate. In 1630, he married his second wife (the first had died some years before), a 16-year-old girl. They spent a happy decade together before gout brought on heart failure and ended Rubens life on May 30, 1640, in the Spanish Netherlands (modern Belgium). The Flemish Baroque carried on with his successors, most of whom (particularly Anthony van Dyke) he had trained. Important Works The Massacre of the Innocents, 1611The Hippopotamus Hunt, 1616The Rape of the Daughters of Leucippus, 1617Diana and Callisto, 1628The Judgment of Paris, 1639Self Portrait, 1639